Materialists Ending Explained ( Photo Credit – Instagram )

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After the success of Past Lives, director Celine Song has become one of the most sought-after names in the filmmaking industry. The director’s construction of human and emotional narratives enables the audience to look into a story from different angles. The deep exploration of the human psyche when it comes to interpersonal and intrapersonal relationships is what sets director Song’s work different from the rest. It caters to the modern-day thinking and lifestyle of dealing with complicated labels, overwhelming narratives, and hyper-local beliefs that seek respite amidst the never-ending chaos of a journey that is life. Celine Song’s latest foray into the web of human relationships comes in the form of Materialists starring Dakota Johnson, Chris Evans, and Pedro Pascal.

The movie tells the story of Lucy (Dakota Johnson), a well-to-do matchmaker in New York City. Despite helping find men and women the partner of their dreams, Lucy remains cynical about love in her own life. She crosses paths with Harry (Pascal), a dreamy guy who has the looks, the wealth, and the charm. She begins seeing Harry, and then comes John (Chris Evans), Lucy’s ex, who is a complete foil to Harry. John is not so rich, but his feelings for Lucy more than make up for his lack of wealth. As the movie progresses, we see Lucy trying to weigh the pros and cons of being with either man.

Materialists Ending Explained: Why Did The Movie Conclude At The City Hall?

Materialists is being touted as THE romance movie of this year; however, upon further inspection, it is not your run-of-the-mill fairy tale romance. It is as heart-wrenching and uncertain as was director Song’s previous offering, Past Lives. Materialists conclude by saying that Lucy chooses John over Harry. It is also revealed that Harry had undergone surgery to make himself six inches taller, which works as a comment on the increasingly negative view of the world towards gaining love and validation from society by fitting oneself, even forcefully, into unrealistic and materialistic beauty standards.