Uncharted is No. 1 as domestic audiences await 'The Batman'
Uncharted Is The No. 1 Choice Of Audience, The Batman To Change The Trend? (Photo Credit: Poster From Movie)

Tom Holland-starrer Uncharted has an easy path to staying on top of domestic charts in its second weekend as there is still some time for the release of The Batman featuring Robert Pattinson.

The adaptation of Sony’s series of PlayStation games is holding well, with the studio projecting a $23 million gross for its sophomore outing.

According to Variety, that’s a 45 per cent drop from its $44 million openings, a debut that already beat initial expectations. Big-budget spectacles and adaptations of well-known properties can tend to be front-loaded in terms of box-office grosses, so a drop of less than 50 per cent is a marked victory for Uncharted.

Last weekend, the Tom Holland starrer Uncharted enjoyed the domestic box office’s biggest opening since the star’s last film, Spider-Man: No Way Home, which dominated the holiday season to become the third highest-grossing domestic film release in history.

Directed by Zombieland duology helmer Ruben Fleischer, Uncharted stars Holland as treasure hunter Nathan Drake. The rest of the cast includes Mark Wahlberg, Sophia Ali and Antonio Banderas.

In terms of new releases for the weekend, neither of the weekend’s two biggest debuts is making much noise in its opening.

Open Road Films’ Studio 666′ is projected to earn $2 million from 2,306 theatres through Sunday. The film is a bit of an odd duck: a comedy horror film that stars members of Foo Fighters as themselves.

Based on a story by the band’s frontman Dave Grohl, the genre film follows Foo Fighters as they battle supernatural forces while attempting to record their next studio album. While “Studio 666” likely won’t make much of an impression in its somewhat bewilderingly wide theatrical release, its extremely specific material means that it probably should find some sort of second life among Foo Fighters’ fanbase.

Metro-Goldwyn-Mayer’s ‘Cyrano’ is projected to earn somewhere between $1 million to $2 million from 797 theaters. After a December theatrical engagement exclusive to Los Angeles to qualify for awards, Joe Wright’s musical adaptation of the classic romantic tragedy was battered around the release calendar, with MGM ultimately landing on a late February release date, likely banking on Oscar nominations that didn’t come (though the film did land a best costume design nod).

With a production budget of $30 million, ‘Cyrano’ has little hope to recoup such numbers in its theatrical run. The film stars Peter Dinklage, Haley Bennett, Kelvin Harrison Jr. and Ben Mendelsohn.

The domestic box office’s top five looks to be a tip-to-toe repeat of last weekend’s standings. ‘Dog’, which comes from MGM in association with FilmNation Entertainment, earned $2.47 million in its second Friday, which marks a 51 pc drop from its opening day last week.

The Channing Tatum vehicle has been a success story at the box office, already recouping its reported $15 million production budget. The road film should expand its domestic gross to a number in the neighborhood of $30 million through Sunday.

Spider-Man: No Way Home took bronze, with a measly projected drop of 27 pc for the weekend. Now in its eleventh weekend of release, the MCU monster has never dropped out of the top three slots of domestic charts. The Sony release should expand its North American gross to a whopping $779 million through Sunday. With the Tom Holland film enjoying such slim drop-offs week-to-week, one begins to wonder whether a domestic tally above $800 million is in sights.

Fourth place should go to Disney and 20th Century Studios’ Death on the Nile. The Kenneth Branagh-helmed whodunnit has struggled since its debut. The release should expand its domestic gross to $32 million through Sunday, a number far below its reported production budget of $90 million.

Jackass Forever will round out the top five, with a projected $2.9 million gross for the weekend. The film’s domestic cume should surpass $50 million through Sunday. That’s not too shabby for a slapstick docu-comedy carrying a $10 million production budget.

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