Adolescence Series Poster(Photo Credit –Instagram)

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In the ruthless battlefield of today’s media landscape, no project, whether it’s a big-budget behemoth or indie darling, escapes the digital firestorm of criticism. The internet often behaves like a wild, untamed beast, ensuring that every release, no matter how beloved, is met with a barrage of praise and venom in equal measure.

And while most of the hate is just background noise, occasionally, lurking within the abyss of online discourse, there are darker undercurrents, more specifically dangerous ideologies masquerading as “opinions.”

The Meteoric Rise of Adolescence

Take Adolescence, Netflix’s latest British smash hit, a juggernaut of a series that has critics practically tripping over themselves to sing its praises. With a staggering 99% “certified fresh” rating on Rotten Tomatoes and a record-shattering rise to the top of the Barb Audiences’ weekly television ratings, it’s clear that this show has struck a chord.

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It’s even conquered global streaming charts, reigning supreme in 75 out of 93 available countries, everywhere except Japan, which stubbornly refused to place it in their top three.