Here’s how actors learned backward choreography for Tenet ( Photo Credit – Netflix )
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When Tenet hit theaters, it wasn’t just another Christopher Nolan mind-bender but a spectacle unlike anything seen before. The film didn’t just dabble in time inversion; it made time its playground, taking everything we thought we knew about movie magic and flipping it… in a recent behind-the-scenes reveal, we learned just how far Nolan went to sell his twisted vision: He shot all the inversion scenes not once but twice—forward and backward. And yes, that meant actors had to master their roles in reverse.
This bold decision wasn’t just for show but a meticulous choice to nail the time-warped reality Nolan envisioned. While traditional time travel plays out with a character jumping from one point in time to another, Tenet dealt with time inversion. In other words, the characters didn’t just travel through time—they moved backward while everything else carried on as usual. Mind-boggling, right? Well, even the actors found it so!
John David Washington: Inverting the Action
John David Washington, who played the central role of The Protagonist, had his work cut out for him. Along with Robert Pattinson and Elizabeth Debicki, Washington dove headfirst into learning backward choreography. It wasn’t just about walking in reverse; they had to recreate fight sequences, conversations, and subtle gestures—all backward. Imagine being a professional actor and suddenly having to unlearn everything you know. Washington admitted it was challenging, noting how every scene required them to think and move unnaturally.
Nolan’s commitment to capturing authentic visuals also meant no shortcuts. There were no green screens or digital trickery here—the time inversion scenes were as raw and honest as possible. Professional stuntmen on set, who had seen it all in the action world, claimed they had never worked on a film like this before.
Robert Pattinson: Twice the Shooting, Twice the Confusion
What makes the reveal even more surprising is how the scenes were filmed. Each time, the inversion sequence was shot twice—once in the normal flow of time and once in reverse. This way, Nolan had both perspectives to layer and blend into one seamless shot. Even the actors admitted that despite living in Tenet’s world for months, they were often just as confused as the audience! Pattinson, who played Neil, described the experience as mind-warping, laughing about how scenes seemed to make sense only after watching them on the big screen.
This unique approach was revealed in a preview before the 10th-anniversary screening of Inception. A lucky fan, ljwr_Lewis, who attended the preview, tweeted that Nolan’s ambitious methods were outlined in detail. It was clear that the director was set on redefining the limits of what an action thriller could look like, and the double-shot sequences were a testament to that commitment.
No Green Screens, No Limits
Adding another layer of awe, Nolan decided to forego CGI. Every explosion, every piece of shattered glass, and every crumbling building happened live. The trailers teased jaw-dropping moments where time seemed to fold in on itself—cars flipping back into place, bullets returning to their chambers—all without a single green screen. It was nothing short of a cinematic high-wire act for a modern action movie.
Though the plot remained shrouded in secrecy—typical of a Nolan release—the buzz was undeniable. Comparisons to Inception were inevitable. A decade after that film left us scratching our heads, Nolan seemed poised to do it again with Tenet. But this time, he didn’t just play with our perceptions; he turned them upside down. It’s no wonder Tenet’s release was delayed multiple times during the pandemic—the anticipation only grew as audiences wondered if this would be the blockbuster to draw them back to theaters.
Despite global uncertainty and theater closures, Tenet arrived in late August internationally and early September in the U.S. It didn’t just meet expectations—it rewrote them. The time-twisting narrative kept fans guessing, and the raw, practical effects were a refreshing change in an era saturated with CGI.
So, did Nolan’s gamble pay off? Only time (or time inversion) will tell, but one thing’s clear: Tenet cemented itself as another classic in Nolan’s impressive collection of brain-twisting, genre-defying films. Whether it matched the iconic status of Inception might still be debated. Still, it stood as a testament to the power of practical effects and storytelling ambition—shot in reverse.
