Pedro Pascal’s Eddington Witnesses A Slow Start In The US ( Photo Credit – YouTube )

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After a lukewarm reception of The Materialists, Pedro Pascal is back on the big screen again in Eddington, a film that does not quite land the way it aimed to. At the same time, director Ari Aster returns with something even bigger in scale (after Beau is Afraid divided audiences and did not do much at the box office) but not necessarily in impact.

The film, backed by A24 and packed with star power, including Joaquin Phoenix, Emma Stone, and Austin Butler, opened with a quiet $4 million in the US, per Box Office Mojo. It is not the kind of start expected from a movie believed to cost between $35 and $50 million to make, per Collider.

Eddington’s Underwhelming Debut

Eddington, set against the early days of the COVID-19 outbreak, leans into biting humor, poking at how quickly people turn on each other. The backdrop does not exactly scream audience magnet and the muted reception reflects it. Critics and audiences are split, with the film hovering in the 60s on ratings charts. Some praised its ambition and cast but others walked away unconvinced by the film’s awkward tonal mix.