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Bollywood actor Ayushmann Khurrana, who has never shied away from touching upon taboo subjects, says he feels humbled if he has set an agenda for content in the country.
Ayushmann has played a gay man on-screen (Shubh Mangal Zyada Saavdhan), played a bald hero (Bala), played a hero with erectile dysfunction (Shubh Mangal Saavdhan), a sperm donor (Vicky Donor), tackled how every body type should be celebrated (Dum Laga Ke Haisha), backed a film about the inclusivity of the transgender community in India through Chandigarh Kare Aashiqui.
Asked to comment on how he has been the only star driving important social conversations in the country for the last five years through his content-pole cinema, Ayushmann Khurrana says, “I have always felt that films that not only entertain people to their fullest but also leave a message for everyone to ponder over in the most unique and fun way are movies that are the most engaged with and discussed heavily.”
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Ayushmann Khurrana adds, “So, maybe, subconsciously I have found myself pulled towards scripts that have radiated this novelty.”
The actor shares, “In my pursuit to find the best scripts that the Hindi film industry can make, if I have found myself projects, directors and filmmakers to set an agenda for content in my country, then I’m deeply humbled.”
“I have been a fortunate actor who has been trusted by outstanding filmmakers with their visionary scripts. So, if I have set agenda for content over the years, I share that honour with my creative collaborators who have punted on me and also approached me with such disruptive content that hasn’t been made by Hindi cinema before,” says Ayushmann Khurrana.
Ayushmann will be next seen in Anubhav Sinha’s Anek, Anubhuti Kashyap’s ‘Doctor G’ and film-maker Aanand L. Rai’s ‘Action Hero’ being directed by debutant Anirudh Iyer.
Ayushmann Khurrana says, “I’m proud of my body of work and it will be my personal ambition to keep finding more such projects that hopefully contribute towards giving people fresh and remarkably new films that don’t have a reference point in Indian cinema.”
