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In a year where concept based films with controlled budget have done well so far, there are good expectations from Phantom as well to leave a mark. If this year, Drishyam and Badlapur have found a place in audience’s heart solely from content perspective, last year it was Haider which went on to find decent collections coming its way on the basis of word of mouth. None of the three films was an escapist fare. In fact each one of them dealt with a serious issue and had a director of repute putting it all together, while being bankrolled by producers (Viacom, Eros, UTV) who are known for their commercial flicks.