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Nikkhil Advani’s period drama The Revolutionaries will soon arrive on Prime Video, and the show has impressed me already with its amazing soundtrack! The music album arrived with a nine-song soundtrack that tries to do something braver than most historicals attempt – instead of leaning entirely on marching-band patriotism, it builds an album with the shape and emotional range of a full Hindi film score, moving between war-cry anthems, romance, devotion, and a send-off – a beautiful elegy!
T-Series has assembled an entire army of composers Akashdeep Sengupta, Shreyas Puranik, Ashutosh Phatak, Manan Bhardwaj) and voices ranging from veteran Sukhwinder Singh to folk singer Ranjit Bawa.
There’s a lazy shorthand Hindi period dramas have leaned on for decades: if the story is about freedom fighters, the soundtrack must sound like a flag unfurling in slow motion — massed choirs, blaring brass, the same three patriotic chord changes recycled since Border. But the Revolutionaries refuse to take that route! Instead, it asks a harder question: what does a freedom struggle actually sound like when you strip away the jingoism? The answer it arrives at is messier and more human!
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Here is a full dissection of the music album of the web series. Check it out.
- Song: Aur Aayenge
- Music: Akashdeep Sengupta
- Singer: Sukhwinder Singh
- Lyrics: Alok Ranjan Srivastava
This song is the album’s spine, and the choice of Sukhwinder Singh is a statement in itself. A nationalist and rebellious energy in Hindi cinema for two decades, he sounds clearly like the sound of defiance. The title itself signals a generational theme rather than a single hero’s chest-thumping, which is a smarter lyrical angle than the genre usually bothers with. Alok Ranjan Srivastava definitely wins as he writes ‘Sar Kalam Hazaar Ho, Ye Jism Taar Taar Ho, Hazaar Aur Aayenge, Junoon Sab Pe Laaynege!” Sengupta’s composition builds goosebump moments that are built for a trailer cut!
- Song: Maahiya
- Music: Akashdeep Sengupta
- Singer: Tushar Joshi, Neeti Mohan
- Lyrics: Lavraj, Gaurab Chakraborty
The album’s designated romance, and a necessary tonal break from the rest of the tracklist, was so needed. Neeti Mohan’s voice has always had an easy warmth, and pairing her with Tushar Joshi gives the track a conversational intimacy. Probably the most romantic thing you must have heard since Aap Jaisa Koi, last year! The song does its job, but doesn’t try to be more than a pleasant break! It is a tender emotional breather amidst the album’s high-stakes nationalism.
- Song: Jai Durga
- Music: Shreyas Puranik
- Singer: Shreyas Puranik, Raja Hasan, Divya Kumar, Altamash Faridi
- Lyrics: Siddharth-Garima
This is the album’s most ambitious swing – a devotional anthem to Maa Durga, set against Durga Puja, meant to double as a statement about faith and a fuelling rebellion. Four singers are a lot of firepower for one track, and Puranik knows how to build a hymn that also functions as a mass-scale set piece. The song has a briliant progression and it grows on you! Lyricists Siddharth and Garima bring a devotional-meets-rebellion framing that is thematically clever, and the layered vocal arrangement gives it real scale and grandeur.
- Song: Ekla Cholo Re
- Music: Ashutosh Phatak
- Singer: Aarvan Hampuda
- Lyrics: Traditional
Using Tagore’s iconic Bengali song of solitary resolve is a bold, loaded choice. Also, not taking away the original landmark poetry from the Freedom movement is a banger of a decision! Personally, Ashutosh Pathak’s composition does not hit me! The drums sound like a major distraction! This is one of the most recognizable protest-adjacent compositions in the subcontinent’s cultural memory, and reworking it invites comparison to every prior rendition, from Kishore Kumar‘s to Amitabh Bachchan’s spoken-word version in Kahaani. And all of them were much better! This one is more drama over substance!
- Song: Hum Rahein Na Rahein
- Music: Akashdeep Sengupta
- Singer: Akashdeep Sengupta
- Lyrics: Alok Ranjan Srivastava
Alok Ranjan Srivastava has my heart as he writes, “Hum Rahein Na Rahein, ye jo awaaz hai, Goonj hai jung ki ek aawaz, har makaan se utha ek jaanbaaz hai! Rag rag mein jaan ghul jaayegi, laayegi sarfaroshi ki khumaariyan! Qatra Qatra, khaulaayegi, laayegi raaston pe gfauj ka dariya, ye parwaano ka dariya, hoga rihaai ka zariya. Dheere Dheere har dil mein goonja des rag hai!” Uff! Brilliant! Elegies generally create a gut-wrenching emotion, be it Ek Saathi Aur Bhi Tha or Mainu Vidaa Karo or the recent one from Border 2 – Mitti Ke Bete!
Here, Akashdeep Sengupta tends to produce performances with an unpolished sincerity. Titled around the idea of “whether we remain or not,” this is clearly built as the sacrifice/martyrdom moment of the soundtrack, and Sengupta’s slightly frayed vocal texture suits that better than a technically flawless singer might. The rawness and calm in Sengupta’s own voice sell the vulnerability of the theme more convincingly and passionately!
- Song: Pagdi Sambhaal Jatta
- Music: Manan Bhardwaj
- Singer: Ranjit Bawa
- Lyrics: Traditional
Easily the sharpest and most historically loaded song on the album. “Pagdi Sambhaal Jatta” is a genuine early-20th-century Punjabi peasant-resistance song tied directly to the movement that historically overlaps with this show’s period and politics. Using it isn’t a decoration, it’s a direct historical reference! However, it is very difficult to overcome Sukhwinder’s version from The Legend Of Bhagat Singh! A mainstream pan-India audience will not connect with this one much!
- Song: Maahiya (Reprise)
- Music: Akashdeep Sengupta
- Singer: Pooja Tiwari
- Lyrics: Alok Ranjan Srivastava, Lavraj
Reprises live or die on whether the context actually changes the song’s meaning, and this one earns its existence by swapping the duet for a solo female voice and bringing in a different lyricist for additional verses. Pooja Tiwari’s voice carries more ache than polish here, which works in the reprise’s favor. But still, it does not convince well!
- Song: Aur Aayenge (Reprise)
- Music: Akashdeep Sengupta
- Singer: Sukhwinder Singh
- Lyrics: Alok Ranjan Srivastava
I just told you to reprise work with context! This one is a final call for the youngsters! Alok Ranjan Srivastava and Akashdeep Sengupta are a brilliant duo who win this album as they create the hard hitting beats with each note and lyrics here. Alok writes, “Jaan ye watan ke naam thi watan pe jaayegi, ye jaayegi jab aaj to azaadiyan ye laayegi, sunaayegi, waqt ko meri kahaniyan. Maa meri fikar na kar mujhe na maut aayegi, zameen bhi hai maa meri mujhe gale lagaayegi, sulaayegi, aaj sonkh ke lahu mera!” He definitely is the man of the moment and should be celebrated!
- Song: Ek Onkar
- Music: Ashutosh Phatak
- Singer: Mandar Deshpande, Rajat Sharma, Jayesh Jhadav
- Lyrics: Traditional
Closing the album on the foundational verse of the Guru Granth Sahib is a striking, spiritually weighted choice, and given the show’s history, it’s thematically earned rather than tacked on. Three male voices in near-unison, rather than a single lead, give it the register of a shared devotional chant rather than a performance piece. A dignified, unshowy way to end the soundtrack; it resists the temptation to close on another big anthem and instead chooses stillness.
As a soundtrack, The Revolutionaries is more interesting for its structure than for any single knockout track. Nikkhil Advani’s approach using music as emotional connective tissue rather than as decorative patriotism might win big for the series!
Check out the entire jukebox here.
For more music reviews, stay tuned to Koimoi.
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