Here’s why Pulp Fiction almost had another ending
Here’s why Pulp Fiction almost had another ending (Photo Credit – Amazon Prime Video)

Pulp Fiction almost closed out with a different vibe. Quentin Tarantino had a wild twist that would’ve thrown off the whole ending we know and love. Samuel L. Jackson dropped the bomb recently, spilling that Tarantino’s original plan was to make the last scene much bloodier. And honestly? That change would’ve killed the magic.

Here’s the deal: in the Pulp Fiction finale, we see Jackson’s Jules and John Travolta’s Vincent Vega taking a breather in a diner, ready to hand over Marcellus’ precious briefcase. Enter Pumpkin and Honey Bunny—two robbers who picked the wrong place to hit. Fresh off his epiphany to ditch the criminal life, Jules lets them walk. He doesn’t throw punches, no bullets fly—just words. And it works. This scene is as intense as it gets, but Tarantino’s first idea had Jules imagine something much darker.

Jackson explained in a GQ interview that Tarantino originally wrote a vision where Jules imagines taking the two robbers out. In this alternate twist, Jules envisions gunning down Pumpkin and Honey Bunny before snapping back to reality and deciding to let them live. The imagined moment would’ve shown Jules struggling with his old violent ways, but let’s be honest—it would’ve killed the whole point.

Why? Because the real power of this scene is all in Jules choosing not to pull the trigger. This guy has spent the whole movie solving problems with a gun, and he’s finally using his words. The entire thing is one significant flex on how far he’s come. By nixing that flash of violence, Tarantino kept it clean and gave Jules’ words all the weight they deserved.

Imagine how clunky the scene would feel if they’d added that unnecessary kill vision. It would’ve broken up the flow of Jules and Pumpkin’s intense back-and-forth, a brilliant little dance of words that captures so much. Tarantino’s choice to keep it real lets us see Jules’ growth, proving he’s no longer the guy who answers everything with a bullet.

In the end, this scene didn’t need extra blood—it needed what it got: Jules’ calm, assertive, almost zen-like shift. A mic drop on a character arc brings Pulp Fiction to a close like only Tarantino could pull off.

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